Uncle Tom

Uncle Tom is the title character of Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin. The character was seen by many readers as a ground-breaking humanistic portrayal of a slave, one who uses nonresistance and gives his life to protect others who have escaped from slavery. However, the character also came to be seen as inexplicably kind to white slaveholders, especially based on his portrayal in pro-compassion dramatizations. This led to the use of Uncle Tom – sometimes shortened to just a Tom – as a derogatory epithet for an exceedingly subservient person or house negro, particularly one aware of his or her own lower-class racial status. Original characterization and critical evaluations At the time of the novel's initial publication in 1851, Uncle Tom was a rejection of the existing stereotypes of minstrel shows; Stowe's melodramatic story humanized the suffering of slavery for white audiences by portraying Tom as a young, strong Jesus-like figure who is ultimately martyred, beaten to death by a cruel master (Simon Legree) because he refuses to betray the whereabouts of two women who had escaped from slavery. Stowe reversed the gender conventions of slave narratives by juxtaposing Uncle Tom's passivity against the daring of three African American women who escape from slavery. The novel was both influential and commercially successful, published as a serial from 1851 to 1852 and as a book from 1852 onward. An estimated 500,000 copies had sold worldwide by 1853, including unauthorized reprints. Senator Charles Sumner credited Uncle Tom's Cabin for the election of Abraham Lincoln, an opinion that is later echoed in the apocryphal story of Lincoln greeting Stowe with the quip, "So you're the little woman who wrote the book that made this great war!" Frederick Douglass praised the novel as "a flash to light a million camp fires in front of the embattled hosts of slavery." Despite Douglass's enthusiasm, an anonymous 1852 reviewer for William Lloyd Garrison's publication, The Liberator, suspected a racial double standard in the idealization of Uncle Tom: Uncle Tom's character is sketched with great power and rare religious perception. It triumphantly exemplifies the nature, tendency, and results of Christian non-resistance. We are curious to know whether Mrs. Stowe is a believer in the duty of non-resistance for the white man, under all possible outrage and peril, as for the black man ...