Symphonic Sketches was composed by George Whitefield Chadwick from about 1895 to 1904. Each of the four movements is inspired by a scene depiction, much like snapshots in an album, drawings, or vignettes. The style largely stems from Chadwick’s experience with the Duveneck Boys, a group of free-spirited artists led by Frank Duveneck.
Contents
Analysis
The piece consists of four movements:
The composer's intentions are specified by bits of poetry opposite each title page.
For Sketch No. 1, "Jubilee",
For Sketch No. 2, "Noël",
For Sketch No. 3. "Hobgoblin", words from Shakespeare,
For Sketch No. 4, "A Vagrom Ballad",
The second movement was composed for the birth of Chadwick's son, whose name Noël is French for Christmas. The opening poem is reminiscent of the Christmas song Silent Night. The English horn solo portrays a similar atmosphere as in the second movement of Dvořák’s 9th Symphony (1893), where they both have a pentatonic scale in D-flat. Noël evokes a feeling of serenity and homeyness.
The fourth movement was inspired by vagrants near a railway track in Springfield, Massachusetts. It is described as "A jaunty irreverence, a snapping of the fingers at Fate and the Universe, that we do not recognize in music of foreign composers..." It contains a distinctive bass clarinet solo and a somewhat haphazard organization with unexpected periods of silence, tempo changes, and slapstick cliffhangers. There is also a brief Impressionist and Arabesque interlude which showed his influence from the French style.
Recordings
Several recordings of the complete score have been released on compact disc:
Howard Hanson, Eastman-Rochester Pops Orchestra, Mercury Records
Neeme Järvi, Detroit Symphony Orchestra, Chandos Records
Theodore Kuchar, Ukraine State Radio Symphony Orchestra, Naxos Records
José Serebrier, Czech Philharmonic Orchestra, Reference Records
Andrew Constantine, BBC National Orchestra of Wales, Orchid Classics