Legacy
Comedian George Carlin's eighth HBO stand-up comedy special, Jammin' in New York, was dedicated to Kinison's memory. At the beginning of the broadcast, the words: "This show is for SAM" appeared on the screen.
After his death, Kinison was fondly remembered by his friends and costars. Ozzy Osbourne said: Apparently when Sam had the accident, I heard he got out of the car and looked up to the heavens and said, 'I don't want to die,' and then just said, 'Oh, okay,' and laid down and died. It sounds crazy and will probably offend a lot of my fans, but I believe there's a higher power. Some people may think Sam Kinison's in one place, but I know where he is. He's upstairs; he's next to God.
On May 23, 1993, FOX aired a special, A Tribute to Sam Kinison. The special contained archival footage of Kinison and stand-up comedy performances by comedians including Robin Williams, Rodney Dangerfield, and Jim Carrey.
Between 2008 and 2013, some press releases indicated a possible dramatic film to be based on the memoir Brother Sam: The Short, Spectacular Life of Sam Kinison, by Kinison's brother Bill Kinison and Steve Delsohn.
Kinison's comedy was at times accused of containing misogyny and homophobia, according to a retrospective on Kinison's career in the Los Angeles Times. For example, the group Queer Nation Nebraska demonstrated on a sidewalk in front of a Kinison show in Lincoln in February 1991, chanting "Antiwoman, antigay, Sam Kinison, go away!"
His Have You Seen Me Lately? album carried a disclaimer sticker stating, "The Material On This Album Does Not Reflect The Views Or Opinions Of Warner Bros. Records." Employees at Warner Brothers requested that their bosses not release it due to the controversial material on Kinison's first album.
In a 2016 article by John Hugar in New York, Hugar contended that the comedy of past comedians, including Kinison, was not positively embraced by younger generations, perhaps because their material has come to be viewed as anachronistically sexist and misogynistic with time. Hugar noted that a modern reevaluation was complicated by the possibility that Kinison could be considered as playing an intentionally shocking character rather than speaking as himself.