Qianlong Emperor

Early years

Hongli was the fourth son of the Yongzheng Emperor and was born to Noble Consort Xi. Hongli was adored by both his grandfather, the Kangxi Emperor, and his father, the Yongzheng Emperor. Some historians argue that the main reason why the Kangxi Emperor appointed the Yongzheng Emperor as his successor was because Hongli was his favorite grandson.

After his father's enthronement in 1722, Hongli was made a qinwang (first-rank prince) under the title "Prince Bao of the First Rank" (和碩寶親王; Héshuò Bǎo Qīnwáng). Like his many uncles, Hongli entered into a battle of succession with his elder half-brother Hongshi, who had the support of a large faction of officials in the imperial court as well as Yunsi, Prince Lian. For many years, the Yongzheng Emperor did not designate any of his sons as the crown prince, but many officials speculated that he favoured Hongli. Hongli went on inspection trips to the south and was an able negotiator and enforcer. He was also appointed as the chief regent on occasions when his father was away from the capital.

Accession to the throne

Hongli's accession to the throne was already foreseen before he was officially proclaimed emperor before the assembled imperial court upon the death of the Yongzheng Emperor. The young Hongli was the favorite grandson of the Kangxi Emperor and the favorite son of the Yongzheng Emperor; the Yongzheng Emperor had entrusted a number of important ritual tasks to Hongli while the latter was still a prince, and included him in important court discussions of military strategy. In the hope of preventing a succession struggle from occurring, the Yongzheng Emperor wrote the name of his chosen successor on a piece of paper and placed it in a sealed box secured behind the tablet over the throne in the Palace of Heavenly Purity (Qianqing Palace). The name in the box was to be revealed to other members of the imperial family in the presence of all senior ministers only upon the death of the emperor. When the Yongzheng Emperor died suddenly in 1735, the will was taken out and read before the entire Qing imperial court, after which Hongli became the new emperor. Hongli adopted the era name "Qianlong", which means "Lasting Eminence".

In 1739, the Prince Hongxi (son of Kangxi's deposed crown prince, Yunreng) plotted a coup with five other princes to overthrow Qianlong and replace him with Hongxi. They planned to initiate their coup during an imperial hunt on the Mulan hunting grounds. Hongxi was proclaimed Emperor, but the plot was exposed by Prince Hongpu and the princes were arrested. The rebels were tried; the most prominent conspirators were imprisoned, while lessor offenders were stripped of their titles or demoted. In 1778, the Qianlong Emperor restored the original names to Yunsi, Yuntang, and Hongxi and allowed their descendants to be recorded in the imperial genealogy. However, the emperor did not revoke the decrees depriving those princes of their titles. In 1783, when the imperial chronicles were commissioned, the historians were ordered to emphasise the role of the emperor in quelling the rebellion and to mention that "Hongxi and others wanted to usurp the throne".

Frontier wars

The Qianlong Emperor's military record was mixed. Immediately after ascending the throne, he sent armies to suppress the Miao rebellion. He greatly expanded the territory controlled by the Qing Empire through the Ten Great Campaigns. The Qing empire expanded to twice the size of the prior Ming state, incorporating vast swathes of Inner Asia into its domain. Some scholars consider Qing expansionism to be colonial in nature.

Under the Qianlong Emperor's reign, the Dzungar Khanate based in Dzungharia was defeated by the Qing state as the climax of the Dzungar–Qing Wars. The Qing state would subsequently conquer the neighbouring Turkic oasis states of the Tarim basin as a byproduct of said conflict. The two regions of Dzungharia and the Tarim basin, which historically were separate geographies and cultures, would be conjoined and renamed as Xinjiang, while to the west, Ili was conquered and garrisoned.

The incorporation of Xinjiang into the Qing Empire resulted from the final defeat and destruction of the Dzungars (or Zunghars), a coalition of Western Mongol tribes. The Qianlong Emperor then ordered the Dzungar genocide. According to the Qing dynasty scholar Wei Yuan, 40% of the 600,000 Dzungars were killed by smallpox, 20% fled to the Russian Empire or Kazakh tribes, and 30% were killed by the Qing army, in what Michael Edmund Clarke described as "the complete destruction of not only the Zunghar state but of the Zunghars as a people". Historian Peter Perdue has argued that the decimation of the Dzungars was the result of an explicit policy of genocide launched by the Qianlong Emperor.

The Dzungar genocide has been compared to the Qing extermination of the Jinchuan Tibetan people in 1776, which also occurred during the Qianlong Emperor's reign. When victorious troops returned to Beijing, a celebratory hymn was sung in their honour. A Manchu version of the hymn was recorded by the Jesuit Amiot and sent to Paris.

The Qing Empire hired Zhao Yi and Jiang Yongzhi at the Military Archives Office, in their capacity as members of the Hanlin Academy, to compile works on the Dzungar campaign, such as Strategy for the pacification of the Dzungars (Pingding Zhunge'er fanglue). Poems glorifying the Qing conquest and genocide of the Dzungar Mongols were written by Zhao, who wrote the Yanpu zaji in "brush-notes" style, where military expenditures of the Qianlong Emperor's reign were recorded. The Qianlong Emperor was praised as being the source of "eighteenth-century peace and prosperity" by Zhao Yi.

Cultural achievements

The Qianlong Emperor, like his predecessors, took his cultural role seriously. First, he worked to preserve the Manchu heritage, which he saw as the basis of the moral character of the Manchus and thus of the dynasty's power. He ordered the compilation of Manchu language genealogies, histories, and ritual handbooks and in 1747 secretly ordered the compilation of the Shamanic Code, published later in the Complete Library of the Four Treasuries. He further solidified the dynasty's cultural and religious claims in Central Asia by ordering a replica of the Tibetan Potala Palace, the Putuo Zongcheng Temple, to be built on the grounds of the imperial summer palace in Chengde. In order to present himself in Buddhist terms for appeasing the Mongols and Tibetan subjects, he commissioned a thangka, or sacred painting, depicting him as Manjushri, the Bodhisattva of Wisdom. He was also a poet and essayist. His collected writings, which he published in a tenfold series between 1749 and 1800, contain more than 40,000 poems and 1,300 prose texts, which if he had composed them all would make him one of the most prolific writers of all time.

The Qianlong Emperor was a major patron and important "preserver and restorer" of Confucian culture. He had an insatiable appetite for collecting, and acquired much of China's "great private collections" by any means necessary, and "reintegrated their treasures into the imperial collection." He formed a team of cultural advisers to help locate collections of merchant families who needed to sell or whose heirs had lost interest. He sometimes pressured or forced wealthy officials to surrender precious objects by offering to excuse shortcomings in their performance if they made a certain "gift". On several occasions he claimed that a painting could be secure from theft or fire only if it was taken into the Forbidden City.

The Emperor's massive art collection became an intimate part of his life; he took landscape paintings with him on his travels to compare them with the actual landscapes, or to hang them in special rooms in palaces where he lodged, in order to inscribe them on every visit there. "He also regularly added poetic inscriptions to the paintings of the imperial collection, following the example of the emperors of the Song dynasty and the literati painters of the Ming dynasty. They were a mark of distinction for the work, and a visible sign of his rightful role as emperor. Most particular to the Qianlong Emperor is another type of inscription, revealing a unique practice of dealing with works of art that he seems to have developed for himself. On certain fixed occasions over a long period he contemplated a number of paintings or works of calligraphy which possessed special meaning for him, inscribing each regularly with mostly private notes on the circumstances of enjoying them, using them almost as a diary." In particular, the Qianlong Emperor housed within the Hall of Three Rarities (Sanxitang), a small chamber within the Hall of Mental Cultivation, three calligraphy works: "Timely Clearing After Snowfall" by Wang Xizhi, from the Jin dynasty, "Mid-Autumn" by his son Wang Xianzhi, and "Letter to Boyuan" by Wang Xun.

Burning of books and modification of texts

Some 2,300 works were listed for total suppression and another 350 for partial suppression. The aim was to destroy the writings that were anti-Qing or rebellious, that insulted previous "barbarian" dynasties, or that dealt with frontier or defence problems. The full editing of the Complete Library of the Four Treasuries was completed in about ten years; during these ten years, 3,100 titles (or works), about 150,000 copies of books were either burnt or banned. Of those volumes that had been categorised into the Complete Library of the Four Treasuries, many were subjected to deletion and modification. Books published during the Ming dynasty suffered the greatest damage.

The authority would judge any single character or any single sentence's neutrality; if the authority had decided these words, or sentence, were derogatory or cynical towards the rulers, then persecution would begin. In the Qianlong Emperor's time, there were 53 cases of Literary Inquisition, resulting in the victims executed by beheading or slow slicing (lingchi), or having their corpses mutilated (if they were already dead).

Literary works

In 1743, after his first visit to Mukden (present-day Shenyang, Liaoning), the Qianlong Emperor used Chinese to write his "Ode to Mukden" (Shengjing fu/Mukden-i fujurun bithe), a fu in classical style, as a poem of praise to Mukden, at that point a general term for what was later called Manchuria, describing its beauties and historical values. He describes the mountains and wildlife, using them to justify his belief that the dynasty would endure. A Manchu translation was then made. In 1748, he ordered a jubilee printing in both Chinese and Manchu, using some genuine pre-Qin forms and Manchu styles which had to be invented and which could not be read.

Languages

In his childhood, the Qianlong Emperor was tutored in Manchu, Chinese and Mongolian, arranged to be tutored in Tibetan, and spoke Chagatai (Turki or Modern Uyghur). However, he was even more concerned than his predecessors to preserve and promote the Manchu language among his followers, as he proclaimed that "the keystone for Manchus is language." He commissioned new Manchu dictionaries, and directed the preparation of the Pentaglot Dictionary which gave equivalents for Manchu terms in Mongolian, Tibetan and Turkic, and had the Buddhist canon translated into Manchu, which was considered the "national language". He directed the elimination of loanwords taken from Chinese and replaced them with calque translations which were put into new Manchu dictionaries. Manchu translations of Chinese works during his reign contrasted with supposedly Manchu books of the Kangxi Emperor's reign, which were simply Chinese texts written in Manchu script.

The Qianlong Emperor commissioned the Qin ding Xiyu Tongwen Zhi (欽定西域同文志; "Imperial Western Regions Thesaurus") which was a thesaurus of geographic names in Xinjiang, in Oirat Mongol, Manchu, Chinese, Tibetan, and Turki (Modern Uyghur).

Tibetan Buddhism

The Qianlong Emperor showed a personal belief in Tibetan Buddhism, following the tradition of Manchu rulers associating with the Bodhisattva Manjushri. He continued their patronage of Tibetan Buddhist art and ordered translations of the Buddhist canon into Manchu. Court records and Tibetan language sources affirm his personal commitment. He learned to read Tibetan and studied Buddhist texts assiduously. His beliefs are reflected in the Tibetan Buddhist imagery of his tomb, perhaps the most personal and private expression of an emperor's life. He supported the Yellow Church (the Tibetan Buddhist Gelug sect) to "maintain peace among the Mongols" since the Mongols were followers of the Dalai Lama and Panchen Lama of the Yellow Church. He also said it was "merely in pursuance of Our policy of extending Our affection to the weak" which led him to patronize the Yellow Church.

In 1744 he turned the Palace of Harmony (Yonghe Palace) into a Tibetan Buddhist temple for Mongols. To explain the practical reasons for supporting the "Yellow Hats" Tibetan Buddhists and to deflect Han Chinese criticism, he had the "Lama Shuo" stele engraved in Tibetan, Mongol, Manchu and Chinese, which said: "By patronizing the Yellow Church, we maintain peace among the Mongols. This being an important task we cannot but protect this (religion). (In doing so) we do not show any bias, nor do we wish to adulate the Tibetan priests (as it was done during the Yuan dynasty)."

Mark Elliott concludes that these actions delivered political benefits but "meshed seamlessly with his personal faith."

Anti-Islam laws

Qing policy on Muslims and Islam was changed during the reign of the Kangxi, Yongzheng and Qianlong Emperors. While the Kangxi Emperor proclaimed Muslims and Han to be equal, his grandson, the Qianlong Emperor was a bigot, endorsed Han officials harsh recommendations towards treatment of Muslims. The Kangxi Emperor said that Muslim and Han Chinese were equal when people argued for Muslims to be treated differently. ongzheng then fired an official for demanding Muslims be punished more harshly than non-Muslims.

This policy changed in the reign of the Qianlong Emperor. Chen Hongmou, a Qing official, said that Muslims needed to be brought to law and order by being punished more harshly and blaming Muslim leaders for criminal behavior of Muslims in a letter to the Board of Punishments called Covenant to Instruct and Admonish Muslims that he wrote in 1751. Although the Board of Punishment did nothing, the Shaanxi-Gansu Governor-General in 1762 then proceeded to implement his recommendation and had Muslim criminals punished severely more than Han Chinese ones. He also implemented the policy that the criminal deeds of Muslim congregants of Mosques ended up with their Imams being punished and held responsible for them. These anti-Muslim policies by the governor general received endorsement from the Qianlong Emperor.Great changes happening to Chinese Muslims, like the introduction of a Sufi order, the Naqshbandiyya to the Hui, causing the Qianlong emperor to adopt this harsh attitude against Muslims in contrast to his grandfather and father. This led to larger connections between the Hui and the broader Islamic world from the west, as the Naqshbandiyya order came east to the Hui when Hui scholars in Suzhou were converted to Naqshbandiyya by Muhammad Yusuf Khoja. Afaq Khoja, Muhammad Yusuf's son, also further spread Naqshbandi orders among Chinese Muslims like Tibetan Muslims, Salars, Hui and other Muslim ethnicities in Hezhou, Gansu (now Linxia) and Xining in Qinghai and Lanzhou. Ma Laichi was the leader of one of these orders and he personally studied in the Islamic world in Bukhara to learn Sufism, and Yemen and in Mecca where he was taught by Mawlana Makhdum. This brought him prestige among Chinese Muslims. In an argument over the breaking of fast during Ramadan Ma Laichi said that before praying in the mosque, fast should be broken, not vice versa and this led to him getting many Naqshbandi converts from Hui and Turkic Salars. It came to court in 1731 when the Muslims arguing over how to break Ramadan fast filed lawsuits. The Muslim plaintiffs were told by the Qing authorities at the court to resolve them themselves, as the legal authorities who had no idea about Ramadan fasting. The dispute was not solved and continued to go on and was compounded by even more disputes like how to perform dhikr in Sufism, in a jahri (vocal) as taught by Ma Mingxin, another Sufi who learned in the western Islamic lands like Bukhara, or khufi (silent) like what Ma Laichi did. The Zabid Naqshbandiyyas in Yemen taught Ma Mingxin for two decades. They taught vocal dhikr. Ma Mingxin was also affected by another series of events in the Middle Eastern Muslim world, revivalist movements among Muslims like the Saudis who allied with Muhammad ibn 'Abd al-Wahhab. This renewal tajdid influenced Ma Mingxin in Yemen.

Christianity

The persecution of Christians by Yongzheng became even worse during the Qianlong reign.

Palaces

The Qianlong Emperor was an aggressive builder. In the hills northwest of Beijing, he expanded the villa known as the Garden of Perfect Brightness (or Yuanmingyuan; now known as the Old Summer Palace) originally built by his father. He eventually added two new villas, the "Garden of Eternal Spring" and the "Elegant Spring Garden". In time, the Old Summer Palace would encompass 860 acres (350 hectares), five times larger than the Forbidden City. To celebrate the 60th birthday of his mother, Empress Dowager Chongqing, Qianlong Emperor ordered a lake at the Garden of Clear Ripples (or Qingyiyuan; now known as the Summer Palace) dredged, named it Kunming Lake, and renovated a villa on the eastern shore of the lake.

The Qianlong Emperor also expanded the imperial summer palace in Rehe Province, beyond the Great Wall. Rehe eventually became effectively a third capital and it was at Rehe that the Qianlong Emperor held court with various Mongol nobles. The emperor also spent time at the Mulan hunting grounds north of Rehe, where he held the imperial hunt each year.

For the Old Summer Palace, the Qianlong Emperor commissioned the Italian Jesuit Giuseppe Castiglione for the construction of the Xiyang Lou, or Western-style mansion, to satisfy his taste for exotic buildings and objects. He also commissioned the French Jesuit Michel Benoist, to design a series of timed waterworks and fountains complete with underground machinery and pipes, for the amusement of the imperial family. The French Jesuit Jean Denis Attiret also became a painter for the emperor. Jean-Damascène Sallusti was also a court painter. He co-designed, with Castiglione and Ignatius Sichelbart, the Battle Copper Prints.

During the Qianlong Emperor's reign, the Emin Minaret was built in Turpan to commemorate Emin Khoja, a Uyghur leader from Turpan who submitted to the Qing Empire as a vassal in order to obtain assistance from the Qing to fight the Dzunghars.

Descendants of the Ming dynasty's imperial family

In 1725, the Yongzheng Emperor bestowed an hereditary marquis title on a descendant of Zhu Zhilian, a descendant of the imperial family of the Ming dynasty. Zhu was also paid by the Qing government to perform rituals at the Ming tombs and induct the Chinese Plain White Banner into the Eight Banners. Zhu was posthumously awarded the title "Marquis of Extended Grace" in 1750, and the title was passed on for 12 generations in his family until the end of the Qing dynasty. However, it has been argued that Zhu Zhilian, in fact, had no relation to the imperial family at all.

Banner system

The Qianlong Emperor instituted a policy of "Manchu-fying" the Eight Banner system, which was the basic military and social organisation of the dynasty. In the early Qing era, Nurhaci and Hong Taiji categorised Manchu and Han ethnic identity within the Eight Banners based on culture, lifestyle and language, instead of ancestry or genealogy. Han Bannermen were an important part of the Banner System. The Qianlong Emperor changed this definition to one of descent, and demobilised many Han Bannermen and urged Manchu Bannermen to protect their cultural heritage, language and martial skills. The emperor redefined the identity of Han Bannermen by saying that they were to be regarded as of having the same culture and being of the same ancestral extraction as Han civilians Conversely, he emphasised the martial side of Manchu culture and reinstituted the practice of the annual imperial hunt as begun by his grandfather, leading contingents from the Manchu and Mongol banners to the Mulan hunting grounds each autumn to test and improve their skills.

The Qianlong Emperor's view of the Han Bannermen also differed from that of his grandfather in deciding that loyalty in itself was most important quality. He sponsored biographies which depicted Chinese Bannermen who defected from the Ming to the Qing as traitors and glorifying Ming loyalists. Some of the Qianlong Emperor's inclusions and omissions on the list of traitors were political in nature. Some of these actions were including Li Yongfang (out of his dislike for Li Yongfang's descendant, Li Shiyao) and excluding Ma Mingpei (out of concern for his son Ma Xiongzhen's image).

The identification and interchangeability between "Manchu" and "Banner people" (Qiren) began in the 17th century. Banner people were differentiated from civilians (Chinese: Minren, Manchu: Irgen; or Chinese: Hanren, Manchu: Nikan) and the term "Bannermen" was becoming identical with "Manchu" in the general perception. The Qianlong Emperor referred to all Bannermen as Manchu, and Qing laws did not say "Manchu", but "Bannermen".

Select groups of Han Chinese bannermen were mass transferred into Manchu Banners by the Qing, changing their ethnicity from Han Chinese to Manchu. Han Chinese bannermen of Tai Nikan (台尼堪) and Fusi Nikan (抚顺尼堪) backgrounds were moved into the Manchu banners in 1740 by order of the Qianlong Emperor. It was between 1618 and 1629 when the Han Chinese from Liaodong who later became the Fusi Nikan and Tai Nikan defected to the Jurchens (Manchus). These Han Chinese origin Manchu clans continued to use their original Han surnames and are marked as of Han origin on the Qing lists of Manchu clans.

Anti-gun measures

The Solons were ordered by the Qianlong Emperor to stop using rifles and instead practice traditional archery. The emperor issued an edict for silver taels to be issued for guns turned over to the government.

Chinese political identity and frontier policy

Scholars have different perspectives about the Chinese political identity and frontier policy during the reign of the Qianlong Emperor.

According to Emma Jinhua Teng, the prior Ming's view of empire was a clear cultural and geographical demarcation between civilized Chinese and surrounding "barbarians". Due to Qing's territorial expansion well beyond Ming borders, a different conception of empire is needed. The Qianlong Emperor's view of the Qing emphasized the ideology of "Five Nations Under Heaven", where the Han Chinese, Manchu, Mongols, Tibetans and Hui Muslims were distinct domains or constituent nations/blocs under the umbrella of the Qing empire. Each constituting nation/bloc or domain was understood to possess their distinct history and civilization that led to the creation of the Qing state.

According to Zhao Gang, the Qianlong Emperor identified China and the Qing empire as equivalent, and in treaties and diplomatic papers the Qing Empire called itself "China" or Zhongguo (lit. 'Central State'). He further points out that the Qianlong Emperor rejected earlier ideas that only Han could be subjects of China and only Han land could be considered as part of China, so he redefined China as multiethnic as a result of territorial expansion, saying in 1755 that "there exists a view of China according to which non-Han people cannot become China's subjects and their land cannot be integrated into the territory of China. This does not represent our dynasty's understanding of China, but is instead that of the earlier Han, Tang, Song, and Ming dynasties." The Qianlong Emperor compared his achievements with that of the Han and Tang ventures into Central Asia.

Han settlement

Han Chinese farmers were resettled from north China by the Qing government in the area along the Liao River in order to restore the land to cultivation. Wasteland was reclaimed by Han squatters in addition to other Han people who rented land from Manchu landlords. Despite officially prohibiting Han settlement on the Manchu and Mongol lands, by the 18th century the Qing government decided to settle Han refugees from northern China who were suffering from famine, floods, and drought into Manchuria and Inner Mongolia. Due to this, Han people farmed 500,000 hectares in Manchuria and tens of thousands of hectares in Inner Mongolia by the 1780s. The Qianlong Emperor allowed Han peasants suffering from drought to move into Manchuria despite him issuing edicts in favor of banning them from 1740 to 1776. Han tenant farmers rented or even claimed title to land from the "imperial estates" and Manchu Bannerlands in the area. Besides moving into the Liao area in southern Manchuria, the path linking Jinzhou, Fengtian, Tieling, Changchun, Hulun, and Ningguta was settled by Han people during the Qianlong Emperor's reign, and Han people were the majority in urban areas of Manchuria by 1800. To increase the Imperial Treasury's revenue, the Qing government sold lands along the Songhua River which were previously exclusively for Manchus to Han Chinese at the beginning of the Daoguang Emperor's reign, and Han people filled up most of Manchuria's towns by the 1840s, according to Évariste Régis Huc.

Later years

A valet who accompanied a British diplomatic mission to the Qing court in 1793 described Qianlong in his later years:

The Emperor is about five feet ten inches in height, and of a slender but elegant form; his complexion is comparatively fair, though his eyes are dark; his nose is rather aquiline, and the whole of his countenance presents a perfect regularity of feature, which, by no means, announce the great age he is said to have attained; his person is attracting, and his deportment accompanied by an affability, which, without lessening the dignity of the prince, evinces the amiable character of the man. His dress consisted of a loose robe of yellow silk, a cap of black velvet with a red ball on the top, and adorned with a peacock's feather, which is the peculiar distinction of mandarins of the first class. He wore silk boots embroidered with gold, and a sash of blue girded his waist.

In his later years, the Qianlong Emperor became spoiled with power and glory, disillusioned and complacent in his reign, and started placing his trust in corrupt officials such as Yu Minzhong and Heshen.

As Heshen was the highest ranked minister and most favoured by the Qianlong Emperor at the time, the day-to-day governance of the country was left in his hands, while the emperor himself indulged in the arts, luxuries and literature. When Heshen was executed by the Jiaqing Emperor, the Qing government discovered that Heshen's personal fortune exceeded that of the Qing Empire's depleted treasury, amounting to 900 million silver taels, the total of 12 years of Treasury surplus of the Qing imperial court.

The Qianlong Emperor began his reign with about 33.95 million silver taels in Treasury surplus. At the peak of his reign, c. 1775, even with further tax cuts, the treasury surplus still reached 73.9 million silver taels, a record unmatched by his predecessors, the Kangxi and Yongzheng emperors, both of whom had implemented remarkable tax cut policies.

However, due to numerous factors such as long term embezzlement and corruption by officials, frequent expeditions to the south, huge palace constructions, many war and rebellion campaigns as well as his own extravagant lifestyle, all of these cost the treasury a total of 150.2 million silver taels. This, coupled with his senior age and the lack of political reforms, ushered the beginning of the gradual decline and eventual demise of the Qing Empire, casting a shadow over his political life.

Embassies

Durrani Afghan Embassy

Fazil Biy, the ruler of Kokand, and other Kyrgyz chieftains pleaded to Ahmad Shah Durrani, the ruler of the Durrani Empire, to aid them against Qing expansionism. Ahmad Shah, delighted to use a casus belli in the name of Islam, accepted, sending men to occupy the regions between Tashkent and Kokand, though these men later withdrew by 1764 as any alliance failed to be forged.

In 1763, Ahmad Shah had dispatched an embassy to the Qing. His aims in this are unknown, however, an embassy allowed Ahmad Shah to establish himself as an emperor. The letter he sent to the Qing emperor Qianlong is missing, but from the Qing reply, the letter seems to have been dedicated to his recent conquests and victory at the third battle of Panipat, and Qing expansion.

The letter positioned Ahmad Shah's expansions as bringing order and stability to areas overrun with rebels and lawlessness (in reference to his campaigns in Iran and India). The battle of Panipat was strongly detailed in the letter, in what was likely a fath-nama, meaning a victory letter or declaration to celebrate ones victory. The Qing emperor ignored the effective threat and downplayed the Afghan victory.

In the second part of the letter, the Qianlong appeared much more defensive, in need of justifying the Qing conquest of the Dzungars and the Altishahr Khojas. He accused them of causing devastation and laying false accusations against him. A report also suggested that Ahmad Shah considered the territories the Qing claimed belonged to the Muslims. In reality, Ahmad Shah possibly wanted to establish spheres of influence, which was similarly done with the Ottomans which divided Iran between them, and a treaty with Bukhara that had established the Amu Darya as the border.

When the Afghan embassy had arrived in Beijing, the chief envoy, Khwaja Mirhan, had refused to kowtow before the Qing emperor. The Qing officials, in shock, demanded he kowtow, to which Mirhan acquiesced. This incident damaged the Qing-Afghan relations and Qianlong cut ties with the Afghans following this. No immediate consequence occurred, and the envoy was given favor.

Mirhan's refusal possibly came out of religious reasons, but the Qing received it as Ahmad Shah declaring himself equal to Qianlong. Qianlong, however, was reconciliatory and instead shifted blame on their escort. From Qianlong's view, he saw the Afghans as a significant power and attempted to impress the envoy and in contrast, Ahmad Shah, of the Qing empire. This was especially done in motivation of Altishahr's recent conquest and concerns over stability in the region.

Macartney Embassy

Legal trade in the South China Sea was resumed in 1727, but the East India Company's discovery that the prices and duties at Ningbo were both much lower than those at Guangzhou prompted them to begin shifting their trade north from 1755 to 1757. The Qianlong Emperor's attempt to discourage this through higher fees failed; in the winter of 1757, he declared that—effective the next year—Guangzhou (then romanized as "Canton") was to be the only Chinese port permitted to foreign traders, beginning the Canton System, with its Cohong and Thirteen Factories.

During the mid-18th century, European powers began to pressure for increases in the already burgeoning foreign trade and for outposts on the Chinese coast, demands which the aging Qianlong emperor resisted. In 1793 King George III sent a large-scale delegation to present their requests directly to the emperor in Beijing, headed by George Macartney, one of the country's most seasoned diplomats. The British sent a sample of trade goods that they intended to sell in China; this was misinterpreted as tribute that was adjudged to be of low quality.

Historians both in China and abroad long presented the failure of the mission to achieve its goals as a symbol of China's refusal to change and inability to modernize. They explain the refusal first on the fact that interaction with foreign kingdoms was limited to neighbouring tributary states. Furthermore, the worldviews on the two sides were incompatible, China holding entrenched beliefs that China was the "central kingdom". However, after the publication in the 1990s of a fuller range of archival documents concerning the visit, these claims have been challenged. One historian characterized the emperor and his court as "clearly clever and competent political operators", and concluded that they acted within the formal Qing claims to universal rule; they reacted prudently to reports of British expansion in India by placating the British with unspecified promises in order to avoid military conflicts and loss of trade.

Macartney was granted an audience with the Qianlong Emperor on two days, the second of which coincided with the emperor's 82nd birthday. There is continued debate about the nature of the audience and what level of ceremonials were performed. Macartney wrote that he resisted demands that the British trade ambassadors kneel and perform the kowtow and debate continues as to what exactly occurred, differing opinions recorded by Qing courtiers and British delegates.

Titsingh Embassy

A Dutch embassy arrived at the Qianlong Emperor's court in 1795, which would turn out to be the last time any European appeared before the Qing imperial court within the context of traditional Chinese imperial foreign relations.

Representing Dutch and Dutch East India Company interests, Isaac Titsingh traveled to Beijing in 1794–95 for celebrations of the 60th anniversary of the Qianlong Emperor's reign. The Titsingh delegation also included the Dutch-American Andreas Everardus van Braam Houckgeest, whose detailed description of this embassy to the Qing court was soon after published in the United States and Europe. Titsingh's French translator, Chrétien-Louis-Joseph de Guignes, published his own account of the Titsingh mission in 1808. Voyage a Pékin, Manille et l'Ile de France provided an alternate perspective and a useful counterpoint to other reports that were then circulating. Titsingh himself died before he could publish his version of events.

In contrast to Macartney, Isaac Titsingh, the Dutch and VOC emissary in 1795 did not refuse to kowtow. In the year following Macartney's rebuff, Titsingh and his colleagues were much feted by the Chinese because of what was construed as seemly compliance with conventional court etiquette.

Abdication

In October 1795, the Qianlong Emperor officially announced that in the spring of the following year he would voluntarily abdicate at the age of 85 and pass the throne to his son. It was said that the Qianlong Emperor had made a promise during the year of his ascension not to rule longer than his grandfather, the Kangxi Emperor, who had reigned for 61 years. For the next three years, he held the title Taishang Huang (or Emperor Emeritus; 太上皇) even though he continued to hold on to power and the Jiaqing Emperor ruled only in name.

The Qianlong Emperor anticipated moving out of the Hall of Mental Cultivation (Yangxindian) in the Forbidden City. The hall had been conventionally dedicated for the exclusive use of the reigning sovereign, and in 1771 the emperor ordered the beginning of construction on what was ostensibly intended as his retirement residence in another part of the Forbidden City: a lavish, two-acre walled retreat called the Palace of Tranquil Longevity (Ningshou Palace), which is today more commonly known as the "Qianlong Garden". He never moved into his retirement suites in the Qianlong Garden and died in 1799. The complex, completed in 1776, is currently undergoing a ten-year restoration led by the Palace Museum in Beijing and the World Monuments Fund (WMF). The first of the restored apartments, the Qianlong Emperor's Studio of Exhaustion From Diligent Service (Juanqinzhai) began an exhibition tour of the United States in 2010.

Family

Empress Xiaoxianchun (孝賢純皇后), of the Fuca clan (富察氏; 28 March 1712 – 8 April 1748)

First daughter (3 November 1728 – 14 February 1730)

Yonglian (永璉), Crown Prince Duanhui (端慧皇太子; 9 August 1730 – 23 November 1738), second son

Princess Hejing of the First Rank (固倫和敬公主; 31 July 1731 – 30 September 1792), third daughter

Married Septeng Baljur (色布騰巴爾珠爾; d. 1775), of the Khorchin Borjigin clan, in April/May 1747, and had issue (one son, four daughters)

Yongcong (永琮), Prince Zhe of the First Rank (哲親王; 27 May 1746 – 29 January 1748), seventh son

Empress (皇后), of the Nara clan (那拉氏; 11 March 1718 – 19 August 1766)

Yongji (永璂), Prince of the Third Rank (貝勒; 7 June 1752 – 17 March 1776), 12th son

Fifth daughter (23 July 1753 – 1 June 1755)

Yongjing (永璟; 22 January 1756 – 7 September 1757), 13th son

Empress Xiaoyichun (孝儀純皇后), of the Weigiya clan (魏佳氏; 23 October 1727 – 28 February 1775)

Princess Hejing of the First Rank (固倫和靜公主; 10 August 1756 – 9 February 1775), seventh daughter

Married Lhawang Dorji (拉旺多爾濟; 1754–1816), of the Khalkha Borjigin clan, in August/September 1770, and had no issue

Yonglu (永璐; 31 August 1757 – 3 May 1760), 14th son

Works by the Qianlong Emperor

Ch'ien Lung (emperor of China) (1810). The conquest of the Miao-tse, an imperial poem ... entitled A choral song of harmony for the first part of the Spring [tr.] by S. Weston, from the Chinese. Translated by Stephen Weston. London, England: Printed & Sold by C. & R. Baldwin, New Bridge Street, Black Friars. ISBN 978-1-02-237186-6. Retrieved 24 April 2014. {{cite book}}: ISBN / Date incompatibility (help)