Malice

Plot

In a Massachusetts town, newlyweds Andy and Tracy Safian are having sex when they notice the young boy next door at his window, seemingly watching them. Andy is an associate dean at a women's college. When a student on campus is wounded by a serial rapist, a newly arrived surgeon at the local hospital named Jed Hill operates and saves her life. Meeting Jed, Andy realizes that they attended high school together. Money is tight, so he invites Jed, who is looking for an apartment, to rent the third floor of their Victorian home.

Andy finds the body of one of his students, murdered by the rapist. Interviewing Andy as a possible suspect, police detective Dana Harris requests a semen sample. While leaving the station, Andy learns that Tracy was hospitalized for severe abdominal pain and Jed is operating on her. While removing one of her ovaries, ruptured due to a cyst, Jed discovers that Tracy is pregnant, but the surgery causes the fetus to abort. Another doctor notices that Tracy's other ovary is torsed and appears necrotic. Jed convinces Andy to agree to the removal of Tracy's second ovary. Overruling the protests of other doctors that the other ovary might still be healthy and removing it will make her infertile, Jed takes it out. The removed ovary is found to be healthy. Blaming Andy for giving his consent, Tracy leaves him and sues Jed for malpractice.

During a deposition in which Jed is accused of having a God complex, he declares himself above reproach as a surgeon. Tracy's lawyer reveals that Jed was drinking the night of the operation. Fearful of negative publicity from a civil trial, the hospital and Jed's insurance company settle with Tracy for $20 million.

Andy discovers that the rapist is Earl, a handyman at the college. After a struggle, Andy subdues Earl, who is arrested. In the aftermath, Dana informs Andy that his semen sample indicates he is sterile and therefore was not the father of Tracy's aborted child. When Andy accuses Tracy's lawyer, Dennis Riley, of having impregnated Tracy, Riley asserts his innocence and suggests that Tracy's mother—who supposedly died 12 years previously but is actually alive—can answer his questions, advising Andy to take a bottle of Scotch to her.

Andy tracks down Tracy's mother, a resentful alcoholic who reveals Tracy as a lifelong con artist. Previously, Tracy had an affair with a wealthy man, who paid for her to have an abortion. She began her career as a con woman by keeping the money and having the abortion at a clinic. She next took up with a "Dr. Lilienfield". Following these leads, Andy learns that "Lilienfield" is Jed. He and Tracy set Andy up so Jed could move into the house, injecting her with pergonal, which causes ovarian cysts upon overdose. Confronting Tracy, Andy demands half the settlement money and tells her that his will directs the police to their 10-year-old next-door neighbor as a witness to her and Jed's crimes.

Tracy asks Jed to murder the boy, but he refuses. During a quarrel, Jed blames Tracy's greed for exposing Andy's infertility by getting pregnant to increase the settlement, and Tracy murders him. She then slips into the neighbor's house and attempts to suffocate the boy, only to find a dummy in his place. Enraged, Tracy attacks Andy after he walks in on her. Struggling, they fall down a stair landing from the second floor but survive. Detective Harris arrests Tracy, revealing a sting operation to catch her in the act of attempted murder. As Tracy is led away in handcuffs, the boy and his mother return home, and Tracy notices that he is blind.

Production

Development

Malice had been in development at Castle Rock Entertainment since the company's founding in 1987 under the working title of Damages. Castle Rock eventually began readying Damages for production in 1989. Jonas McCord pitched an idea he had come up with after hearing a rumor around Beverly Hills about a woman and a surgeon who had conspired to defraud an insurance company by having the surgeon operate on her and carefully botch the procedure that would allow her to sue for $40 million and then split the money afterwards. Castle Rock bought McCord's pitch and worked on the script for a time, but after being unsatisfied with McCord's work Castle Rock fired him and began looking for a new writer.

Castle Rock attempted to hire William Goldman to draft a new script; he had previously written the studio's The Princess Bride and Misery. Because he was busy, Goldman instead suggested hiring a young new writer whom he would mentor—Aaron Sorkin. Sorkin contributed two drafts of the script before he had to work on the film adaptation of his play A Few Good Men. In November 1991, it was reported that Scott Frank was contributing to Damages, with many of the thriller elements in the final film attributed to Frank.

Casting

Following completion of A Few Good Men, Sorkin returned to provide rewrites which were instrumental in getting Alec Baldwin to agree to star. In April 1992, it was reported that Nicole Kidman had joined the cast. In July, Bill Pullman joined the cast.

Sorkin expressed his disappointment with the film in 2017, saying, "Early on in my career, I wrote a movie that I'm not very proud of at all, it just turned into a mess." He recounted how Harold Becker asked Sorkin to write a "steamy" sex scene between Baldwin and Kidman's characters, which he refused: "I said, 'Are you out of your mind?' First of all, I just did a movie with her husband [Tom Cruise]. And second of all, no, I'm not going to write down what I'd like to see Nicole do and then hand the pages out to the crew and Nicole." The scene was eventually created and filmed without the help of Sorkin.

In order to avoid confusion with the 1992 film Damage, the title Damages was dropped. Bodily Harm was briefly considered, before Malice was settled upon.

Filming

Principal photography occurred on location in Boston, Amherst, Holyoke, and Northampton in Massachusetts. Smith College was the setting used for the women's college.

Michael Hirsh and Patrick Loubert, co-founders of Canadian animation studio Nelvana, worked as executive producers on the film.

Release

Malice had its world premiere in Los Angeles on September 29, 1993, and opened on 1,431 screens in the U.S. two days later, and grossed $9,232,650 during its opening weekend, ranking number 1 at the US box office. It eventually grossed a total of $46,405,336 in the U.S. and Canada and $15.2 million internationally for a worldwide total of $61.6 million,

Critical reception

On Rotten Tomatoes, Malice holds a 54% approval rating based on 28 critic reviews. On Metacritic, the film has a weighted average score of 52/100 based on reviews from 17 critics, indicating "mixed or average" reviews. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.

Roger Ebert of the Chicago Sun-Times began his two-star review calling Malice "one of the busiest movies I've ever seen, a film jampacked with characters and incidents and blind alleys and red herrings. Offhand, this is the only movie I can recall in which an entire subplot about a serial killer is thrown in simply for atmosphere." Bemoaning the incoherent plot, Ebert added, "after the movie is over and you try to think through those secrets, you get into really deep molasses".

Peter Travers of Rolling Stone observed: "Goaded on by writer Aaron Sorkin, who could run a red-herring factory, the actors work to keep you guessing long after you've caught on. No one shows any shame about going over the top, especially Anne Bancroft in an Oscar-begging cameo as Tracy's mother. Perhaps director Harold Becker thought flashy acting could distract us from the gaping plot holes. Becker gets so intent on confusing us, he forgets to give us characters to care about . . . It's got suspense but no staying power." Vincent Canby of The New York Times wrote: "No matter how wild the plot reversals, there's always a slightly madder one to come."

Timothy M. Gray of Variety said: "The immaculately crafted Malice is a virtual scrapbook of elements borrowed from other suspense pix, but no less enjoyable for being so familiar. [It] should tickle audiences who want to be entertained without being challenged . . . After listless performances in such pics as Days of Thunder and Far and Away, Aussie Kidman, who here uses a flawless American accent, proves her strengths as an actress, and Baldwin mixes menace, sex and humor in another terrific performance."

In 2024, Far Out magazine named Jed one of the "10 most accurate movie psychopaths according to the FBI".