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Jerome — news, coverage & facts — IJR

Ministry in Rome

As protégé of Pope Damasus I, Jerome was given duties in Rome, and he undertook a revision of the Vetus Latina Gospels based on Greek manuscripts. He also updated the Psalter containing the Book of Psalms then in use in Rome, based on the Septuagint.

Throughout his epistles, he shows himself to be surrounded by women and united with close ties; it is estimated that 40% of his epistles were addressed to someone of the female sex and, at the time, he was criticized for it.

Even in his time, Jerome noted Porphyry's accusation that the Christian communities were run by women and that the favor of the ladies decided who could accede to the dignity of the priesthood.

In Rome, Jerome was surrounded by a circle of well-born and well-educated women, including some from the noblest patrician families. Among these women were such as the widows Lea, Marcella, and Paula, and Paula's daughters Blaesilla and Eustochium. The resulting inclination of these women towards the monastic life, away from the indulgent lasciviousness in Rome, and his unsparing criticism of the secular clergy of Rome, brought a growing hostility against him among the Roman clergy and their supporters. Soon after the death of his patron Pope Damasus I on 10 December 384, Jerome was forced to leave his position at Rome after an inquiry was brought up by the Roman clergy into allegations that he had an improper relationship with the widow Paula. Still, his writings were highly regarded by women who were attempting to maintain vows of becoming consecrated virgins. His letters were widely read and distributed throughout the Christian empire, and it is clear through his writing that he knew these virgin women were not his only audience.

Additionally, Jerome's condemnation of Blaesilla's hedonistic lifestyle in Rome led her to adopt ascetic practices, but these affected her health and worsened her physical weakness to the point that she died just four months after starting to follow his instructions; much of the Roman populace was outraged that Jerome, in their view, thus caused the premature death of such a lively young woman. Additionally, his insistence to Paula that Blaesilla should not be mourned and complaints that her grief was excessive were seen as heartless, which further polarized Roman opinion against him.

Theological writings

Jerome warned that those substituting fake interpretations for the actual meaning of Scripture belonged to the "synagogue of the Antichrist". "He that is not of Christ is of Antichrist", he wrote to Pope Damasus I. He believed that "the mystery of iniquity" written about by Paul in 2 Thessalonians 2:7 was already in action when "every one chatters about his views." To Jerome, the power restraining this mystery of iniquity was the Roman Empire, but as it fell this restraining force was removed. He warned a noblewoman of Gaul:

He that letteth is taken out of the way, and yet we do not realize that Antichrist is near. Yes, Antichrist is near whom the Lord Jesus Christ "shall consume with the spirit of his mouth". "Woe unto them," he cries, "that are with child, and to them that give suck in those days." ... Savage tribes in countless numbers have overrun all parts of Gaul. The whole country between the Alps and the Pyrenees, between the Rhine and the Ocean, has been laid waste by hordes of Quadi, Vandals, Sarmatians, Alans, Gepids, Herules, Saxons, Burgundians, Allemanni, and – alas! for the commonweal! – even Pannonians.

His Commentary on Daniel was expressly written to offset the criticisms of Porphyry, who taught that Daniel related entirely to the time of Antiochus IV Epiphanes and was written by an unknown individual living in the second century BC. Against Porphyry, Jerome identified Rome as the fourth kingdom of chapters two and seven, but his view of chapters eight and eleven was more complex. Jerome held that chapter eight describes the activity of Antiochus Epiphanes, who is understood as a "type" of a future antichrist; 11:24 onwards applies primarily to a future antichrist but was partially fulfilled by Antiochus. Instead, he advocated that the "little horn" was the Antichrist:

We should therefore concur with the traditional interpretation of all the commentators of the Christian Church, that at the end of the world, when the Roman Empire is to be destroyed, there shall be ten kings who will partition the Roman world amongst themselves. Then an insignificant eleventh king will arise, who will overcome three of the ten kings. ... After they have been slain, the seven other kings also will bow their necks to the victor.

In his Commentary on Daniel, he noted, "Let us not follow the opinion of some commentators and suppose him to be either the Devil or some demon, but rather, one of the human race, in whom Satan will wholly take up his residence in bodily form." Instead of rebuilding the Jewish Temple to reign from, Jerome thought the Antichrist sat in God's Temple inasmuch as he made "himself out to be like God."

Jerome identified the four prophetic kingdoms symbolized in Daniel 2 as the Neo-Babylonian Empire, the Medes and Persians, Macedon, and Rome. Jerome identified the stone cut out without hands as "namely, the Lord and Savior".

Jerome refuted Porphyry's application of the little horn of chapter seven to Antiochus. He expected that at the end of the world, Rome would be destroyed, and partitioned among ten kingdoms before the little horn appeared.

Jerome believed that Cyrus of Persia was the higher of the two horns of the Medo-Persian ram of Daniel 8:3. The he-goat is Greece smiting Persia.

Jerome opposed the doctrine of Pelagianism, and wrote against it three years before his death. Jerome, despite being opposed to Origen, was influenced by Origenism in his soteriology. Although he taught that the Devil and the unbelieving will be eternally punished (unlike Origen), he believed that the punishment for Christian sinners, who have once believed but sin and fall away, will be temporal in nature. Some scholars such as J. N. D. Kelly have also interpreted Ambrose to have held similar views considering the judgement of Christians.

Although Augustine does not name Jerome personally, the view that all Christians would eventually be reunited to God was criticized by Augustine in his treatise "on faith and works".

In art

Jerome is also often depicted with a lion, in reference to the popular hagiographical belief that Jerome once tamed a lion in the wilderness by healing its paw. The source for the story may actually have been the second century Roman tale of Androcles, or confusion with the exploits of Gerasimus (Jerome in later Latin is "Geronimus"); it is "a figment" found in the thirteenth-century Golden Legend by Jacobus de Voragine. Hagiographies of Jerome talk of his having spent many years in the Syrian desert, and artists often depict him in a "wilderness", which for West European painters can take the form of a wood.

From the late Middle Ages, depictions of Jerome in a wider setting became popular. He is either shown in his study, surrounded by books and the equipment of a scholar, or in a rocky desert, or in a setting that combines both aspects, with him studying a book under the shelter of a rock-face or cave mouth, where he may be raggedly-dressed and has a long white beard. In depictions of him in a scholar's study, by contrast, the study is often shown as large and well-provided for, the saint clean-shaven and well-dressed, and a cardinal's hat may appear. These images derive from the tradition of the evangelist portrait, though Jerome is often given the library and desk of a serious scholar. His attribute of the lion, often shown at a smaller scale, may be beside him in either setting. The subject of "Jerome Penitent" first appears in the later 15th century in Italy; he is usually in the desert, wearing ragged clothes, and often naked above the waist. His gaze is usually fixed on a crucifix and he may beat himself with his fist or a rock. In one of Georges de La Tour's 17th century French versions of St. Jerome his penitence is depicted alongside his red cardinal hat.

Jerome is often depicted in connection with the vanitas motif, the reflection on the meaninglessness of earthly life and the transient nature of all earthly goods and pursuits. In the 16th century Saint Jerome in his study by Pieter Coecke van Aelst and workshop, the saint is depicted with a skull. Behind him on the wall is pinned an admonition, Cogita Mori ("Think upon death"). Further reminders of the vanitas motif of the passage of time and the imminence of death are the image of the Last Judgment visible in the saint's Bible, the candle and the hourglass.

Both Agostino Carracci and Domenichino portrayed Jerome's last communion.

Jerome is also sometimes depicted with an owl, the symbol of wisdom and scholarship. Writing materials and the trumpet of final judgment are also part of his iconography.

A four and three quarters foot tall limestone statue of Jerome was installed above the entrance of O'Shaughnessy Library on the campus of the University of St. Thomas (then College of St. Thomas) in St. Paul Minnesota in October 1950. The sculptor was Joseph Kiselewski and the stone carver was Egisto Bertozzi.