Immortals

Plot

When the Twelve Olympians imprisoned the traitorous Titans beneath Mount Tartarus, they lost the Epirus Bow. In 1228 BC, the genocidal king Hyperion searches for the bow to release the Titans; to this end, he captures the virgin oracle Phaedra, to use her dreams and visions to find it.

Theseus is a hoplite trained by the Old Man, who says Theseus has been chosen by the gods. He and his mother Aethra are outcasts due to Theseus being a bastard child. Hyperion attacks Theseus' village; Theseus kills many of his men before being captured, and is forced to watch as Hyperion murders Aethra.

The Olympians, especially Athena, are sympathetic to the humans suffering at Hyperion's hands, but are forbidden by Zeus from interfering in mortal affairs. Unless the Titans are released, they must have faith in mankind's free will to defeat Hyperion, though the other gods are skeptical as they noticed that mankind's strength of will is starting to fail. Zeus himself has trained Theseus in the guise of the Old Man, but reasons he has helped him as a human as opposed to a god.

Theseus is made a slave in a salt mine. Phaedra, held captive nearby, sees a vision of Theseus embracing Hyperion; she and her sisters then attack Hyperion's guards, provoking a riot. She uses the chaos to escape with Theseus and the other slaves. They pursue Hyperion, but are overwhelmed by his forces when trying to seize a boat. Poseidon, unseen by Zeus, dives from Olympus into the ocean, causing a tidal wave that wipes out Hyperion's men. Afterward, Phaedra sees a vision of Theseus standing near a shrouded body, which she takes to mean that Theseus must return home to bury Aethra.

As Theseus buries his mother in the village's sacred labyrinth, he discovers the Epirus Bow inside a rock. He frees it, but is attacked by Hyperion's henchman the Beast, whose armour resembles a Minotaur. Theseus kills him and uses the Bow to kill his allies' captors before collapsing from poisoned scratches inflicted by the Beast. Phaedra later tends to Theseus; having fallen in love with him, she begs him to take her virginity, stripping her of the visions she deems a curse, and they have sex.

They return to Phaedra's temple to kill Hyperion but are lured into an ambush, and the bow is seized by Hyperion's hyena. Ares directly intervenes to save Theseus, killing the attackers. Athena then provides them with horses to reach Mount Tartarus. Zeus suddenly descends and eliminates Ares for disobeying his law, while sparing Athena's life as she did not physically interfere like Ares did. Zeus tells Theseus that he and his allies will receive no more aid from the gods, as he must justify the faith that Zeus has in him alone.

Cast

Additional actors include Canadian wrestler Robert Maillet who plays the Beast, Kaniehtiio Horn, Ayisha Issa and Mercedes Leggett as Phaedra's oracle sisters, Corey Sevier as Apollo, Steve Byers as Heracles, Gage Munroe as Acamas and Mark Margolis in an uncredited role as the priest of Phaedra's temple.

Production

This film incorporates some elements from classical Greek myths and was filmed using 3D technology. It was filmed using the Panavision Genesis digital camera. Director Tarsem Singh said that he was planning an action film using Renaissance painting styles. He then went on to say that the film is "Basically, Caravaggio meets Fight Club. It's a really hardcore action film done in Renaissance painting style. I want to see how that goes; it's turned into something really cool. I'm going for a very contemporary look on top of that so I'm kind of going with, you know, Renaissance time with electricity. So it's a bit like Baz Luhrmann doing Romeo + Juliet in Mexico; it's just taking a particular Greek tale and half (make it contemporary) and telling it." The film had a production budget of $80 million ($75 million after tax rebates) to $120 million and cost "at least" $35 million to market.

Soundtrack

The score for the film was composed and conducted by Trevor Morris and was released on November 8, 2011.

Release

The film premiered in Los Angeles on November 8, 2011, and was released on November 11, 2011, in the United States.

Home media

Immortals was released on DVD, Blu-ray Disc, and Blu-ray 3D on March 5, 2012, in the United Kingdom and on March 6, 2012, in the United States and Canada. In its first week of release, 20th Century Fox Home Entertainment sold more than 1.2 million units of the film making it the week's #1 film in Home Entertainment. It sold 648,947 DVD units for a total of $11,116,462 and 926,964 Blu-ray Disc units for a total of $21,310,902 for the week ending March 11, 2012. An additional 100,000 3D units sold totaling almost $40,000,000 in home entertainment sales in its first week of release in the United States.

Comic book

Archaia Press released a graphic novel tie-in titled Immortals: Gods and Heroes, the hardcover book featured new stories that expanded on the universe established in the film.

Reception

Box office

In North America, it was released on November 11, 2011. Immortals had a $1.4 million midnight showings and then grossed a total of $14.8 million on its opening day, topping the daily box office. It then finished the weekend of November 11–13, 2011 at #1 with $32.2 million, ranking as Relativity Media's biggest opening weekend to date, against newcomers J. Edgar and Jack and Jill. 3D showings accounted for a substantial 66% of the weekend gross. The film's audience was 60 percent male, 75 percent under the age of 35.

Outside North America, it earned $38 million overseas from 35 countries on its opening weekend. Its highest-grossing territories were Russia ($8.2 million), China ($5.7 million) and South Korea ($4.5 million). The film has earned $83,504,017 in the United States and Canada and $143,400,000 in other countries, for a worldwide total of $226,904,017.

Critical reception

On Rotten Tomatoes, the film has an approval rating of 50% based on 139 reviews, with an average rating of 5.4/10. On Metacritic, the film has a score of 46 out of 100, based on 23 critics, indicating "mixed or average" reviews. Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, rising to a "B+" among viewers under 25.

In an affectionate but unfavorable review, Roger Ebert gave the film two stars out of four, writing, "Immortals is without doubt the best-looking awful movie you will ever see," while The Guardian gave the film three stars out of five, commenting, "Theseus battles the Titans in a cheerfully idiotic mythological yarn ballasted by Tarsem's eyecatching image-making". Todd McCarthy of The Hollywood Reporter wrote, "Thuddingly ponderous, heavy-handed and lacking a single moment that evinces any relish for movie-making, this lurch back from the "history" of 300 into the mists of Greek myth is a drag in nearly every way, from the particulars of physical torture to the pounding score that won't quit."

Of those who praised the picture, it received an honorable mention from MTV as one of the year's best films as well as making Guy Lodge's top twenty films of 2011 list on HitFix. Furthermore, it was on TORO Magazine's Top Ten list as well as Glasgow To The Movies' Top Ten Films of 2011. Marc Eastman, of Are You Screening, named Immortals the #3 film of 2011. It also was nominated for several Saturn Awards, including Best Fantasy Film.

Retrospectively, the film was named as one of the top ten underrated fantasy films of the decade by Screen Rant. It was also named one of Vocal Media's "5 Underappreciated Fantasy Films" in 2018. Isaac Feldberg of Paste Magazine wrote that "a decade later, Immortals still feels sublime. This particular kind of auteurist exercise so triumphs in executing its mad vision that it stands as something of a gold standard for other visual stylists, especially those circling a broader mainstream they fear will stamp them out." Critic Phillip Moyer called Immortals Henry Cavill's best non-Superman film and noted its popularity on streaming platforms like Hulu and Max, where it reached as high as third place.

In 2025, Immortals was included in Collider's list of the “Best Greek Battles in Movies,” ranking among the publication's top ten depictions of ancient Greek warfare in cinema.