Critical reception
On the review aggregator website Rotten Tomatoes, 42% of 67 critics' reviews are positive, with an average rating of 5.1/10. The website's consensus reads: "Everyone's Hero is such a predictable and bland tale that it'll appeal mostly to little kids; others seeking something in Pixar's league are looking in the wrong ballpark." Metacritic, which uses a weighted average, assigned the film a score of 51 out of 100, based on 20 critics, indicating "mixed or average" reviews. Audiences polled by CinemaScore gave the film an average grade of "A−" on a scale of A+ to F.
Jack Matthews of the New York Daily News wrote, "Whoever wanders into the theater should leave a winner."
LA Weekly called the themes "fairly pro forma" and cited the film's "antique Rockwellian look" as "its greatest pleasure".
Gregory Kirschling of Entertainment Weekly rated it "B−", and wrote, "Everyone's Hero re-creates Depression-era America with surprisingly agreeable anachronistic panache", although he criticized the character designs.
The Austin Chronicle primarily criticized Everyone's Hero for focusing too much on sentimentality over entertaining moments.
Tasha Robinson of The A.V. Club opined that the film "ranges from improbable to nonsensical to just plain dull. [...] The lame banter, the one-note characters, the predictable clumsy stabs at emotional uplift, or the booger jokes [don't help]."
Screwie and Darlin' were bashed in a review by The Washington Post's Stephen Hunter, panning their inability to "move or express emotion".
Slant Magazine's Ed Gonzalez disliked the lack of reasoning for anthropomorphic baseball gear for being "random". The anachronisms, such as its out-of-time slang, pop-song-dominated soundtrack, and use of an African-American-voiced talking bat, were also panned, with Gonzalez calling the Great Depression setting "nonexistent".
The story did have its supporters. Variety reviewer Joe Leydon honored Everyone's Hero as a "modestly engaging mix of broad comedy and nostalgic fable", picaresque plot and the inclusion of a Negro league player. However, in addition to disliking its gross humor, he questioned the low-key portrayal of segregation that occurred in the 1930s era in which the film is set. He also suggested that the film would have a hard time selling to children: "The toon's target demo — i.e., toddlers and grade-schoolers — are too young to know about the Reeves, and pic could be a hard sell to youngsters who aren't baseball fanatics and recognize Babe Ruth only as the name of a candy bar."
Seattle Post-Intelligencer writer Manny Lewis concluded, "The film certainly will appeal to kids; with its beating-the-odds theme and its dramatic finale involving a crucial at-bat in the World Series, it is reminiscent of a boyhood daydream."
Orlando Sentinel film critic Roger Moore concluded, "The kids will laugh and there's enough heart in Everyone's Hero to bring it over the plate -- barely."
MaryAnn Johanson at MTV News similarly spotlighted the "sweet gentleness" and "can-do-it-iveness" that made its otherwise typical children's film plot stand out.
Time Out London applauded the characters, especially Screwie, which recouped for its "lacking" amount of tension.
The visuals garnered a mixed response, Robinson calling the animation "bland" and "generic", and Leydon "herky-jerky". Lewis found Screwie and Darlin's visual gags "stale" but praised those of Lefty, reasoning that "his flailing limbs giving him a clumsy grace far more entertaining to watch than either the ball or the bat". Hunter acclaimed the animation as "quite advanced, bringing emotional subtleties, vivid eye dilations and expressions and complex movements to exceptional life", while Moore opined that "the animated people look plastic, but the backdrops are pretty, and the slapstick bits are a 'stitch'".
The voice acting was also praised.