Dil Se.. (transl. From the heart..) is a 1998 Indian Hindi-language romantic thriller film written and directed by Mani Ratnam who produced it with Ram Gopal Varma and Shekhar Kapur. Set against the backdrop of Insurgency in Assam, the film stars Shah Rukh Khan and Manisha Koirala, while Preity Zinta makes her film debut in a supporting role. An example of parallel cinema, it is noted as the final installment in Ratnam's trilogy consisting of Roja (1992) and Bombay (1995). The film's soundtrack album, composed by A. R. Rahman, sold six million units in India.
Dil Se.. was screened at the Era New Horizons Film Festival and the Helsinki International Film Festival. Noted for its aspects of nonlinear storytelling, the film was moderately successful at the domestic box office; however, it was a major success overseas, earning $975,000 in the United States and £537,930 in the United Kingdom, where it was the first Indian film to enter the top 10, and it was also a hit in Japan.
At the 44th Filmfare Awards, Dil Se.. received 10 nominations, including Best Actress (Koirala) and Best Supporting Actress (Zinta), and won 6 awards, including Best Female Debut (Zinta) and Best Music Director (Rahman). At the 46th National Film Awards, the film won two awards – Best Cinematography and Best Audiography, while also receiving a Netpac Award at the 49th Berlinale.
Contents
Plot
Amarkant "Amar" Varma is a driven program executive for All India Radio based in New Delhi, dispatched to Assam to report on local perspective regarding the upcoming 50th anniversary of Indian Independence. While stranded during a rainstorm at Haflong railway station, he encounters a mysterious woman whose appearance immediately intrigues him. Despite his attempts at casual conversation, she remains aloof and silent. When she finally requests a cup of tea, Amar rushes to a nearby kiosk, but returns only to see her board a departing train alongside three unidentified men.
Amar proceeds with his assignment in Silchar, where he interviews a cross-section of society, including regional citizens and an extremist insurgent chieftain. The chieftain explicitly accuses the Indian Government and military of widespread human rights violations and institutional neglect, justifying their armed resistance and refusing any diplomatic dialogue with the state. During his travels, Amar spots the mysterious woman again. When he confronts her, she denies any memory of their previous encounter. Undeterred, Amar broadcasts a poetic description of their meeting over the radio, which she overhears. He tracks her to a local post office, corners her, and confesses his love. To deter his persistence, she claims she is married. When a Amar later tries to apologize for his aggressiveness, she leads him into an ambush where two male associates beat him unconscious.
Amar subsequently discovers that the woman lied about her marital status and has abruptly evacuated her residence. By bribing a public telephone operator, he discovers she has been placing regular long-distance calls to Ladakh. Amar travels to Leh under the pretext of recording the Sindhu Darshan Festival. During his reporting, he witnesses military forces neutralizing a local suicide bomber. Amidst the chaos, Amar spots the woman boarding a public bus. When military security details intercept the vehicle to interrogate the passengers, the woman leverages Amar's presence, falsely claiming to the soldiers that he is her husband to evade scrutiny.
When the bus breaks down in a barren terrain, forcing the passengers to trek to a nearby village, Amar confronts her, compelling her to reveal her name as Meghna. They travel together for a day, sharing moments of emotional vulnerability, but Amar wakes up the following morning to find that Meghna has vanished. Unbeknownst to Amar, Meghna is a core operative of an extremist liberation front, currently mobilizing for a series of coordinated suicide bombings in New Delhi during the high-profile Republic Day parade.
Production
Filming began in December 1996, while Shah Rukh Khan was also simultaneously shooting for Yash Chopra's Dil To Pagal Hai. Mani Ratnam selected Manisha Koirala to play the lead role, after he was unable to get through to Kajol. Preity Zinta was chosen to play a supporting role. Raveena Tandon was approached by the team to appear in the "Chaiyya Chaiyya" song, but turned down the offer citing her disinterest in featuring as a part of an item number.
Sameer Chanda and Wasiq Khan were the production and art designers for Dil Se... The principal photography took place in Himachal Pradesh, Leh, Assam, New Delhi, Kerala, and Ladakh over a period of 55 days. Tigmanshu Dhulia was the casting director. Pia Benegal and Manish Malhotra were the costume designers. The song "Chaiyya Chaiyya" was shot between Malaika Arora and Shah Rukh Khan on top of the Nilgiri Express, en route Ooty, Coonoor and Kotagiri, the train is particularly painted in brown for the song sequence. The travelling scenes, other crucial scenes were shot between Manisha Koirala and Shah Rukh Khan near Alchi Monastery, during the Sindhu Darshan Festival in Leh. The longest song of the film "Satrangi Re" with the lead pair was shot near Thikse Monastery, the mystical Basgo Monastery ruins, and Pangong lake near Pangong Tso in Ladakh. The song "Jiya Jale" was shot on Preity Zinta and Shah Rukh Khan near Athirappilly Falls, Alappuzha backwaters, Periyar National Park, Vilangan Hills and Periyar Lake in Kerala. Several action sequences in the film choreographed by Allan Amin were shot near Connaught Place, New Delhi, Rajpath and Old Delhi. Filming wrapped up in February 1998.
Themes
Dil Se.. is said to be a journey through the seven shades of love - attraction, infatuation, love, reverence, worship, obsession, and death. The character played by Shah Rukh Khan passes through each shade during the course of the film. Authors Sangita Gopal and Sujata Moorti of Global Bollywood: Travels of Hindi Song and Dance also compared Khan's romance in the film to the trajectory of love in ancient Arabic literature, believing the lyrics in two of the songs to have delivered an "apocalyptic fatalism".
The film is a dramatization of the attraction between a character from the heart of India and another from a peripheral state and a representation of opposites in the eyes of the law and society. Dil Se.. is described as a film "structured through deferment and unfulfilled teasing promises". Rediff.com said about the film, "The entire feel of the film is appropriately poetic, with a few romantic exchanges standing out quite memorable. Tigmanshu Dhulia has handled the film's dialogues adroitly. Amid moonlit desert dunes, there is a particularly stirring conversation between the leading pair. Amar reveals his hate for Meghna's eyes – because he can't see the world is hidden behind them and his love for the same, stunning eyes – because he can't see the world hidden behind them."
Elleke Boehmer and Stephen Morton in their book Terror and the Postcolonial (2009) believe that the songs and their exotic locations in the film were very important in masking the impossible reconciliation between a terrorist and an uptight government agent by evoking pure fantasy. They argue that this is a phenomenon called the "liminal space of dreaming" in that the terrorist woman cannot fulfill her sexual desire so the songs fill the void of this desire by "their sumptuousness and exotic locales" in the Ladakh region.
Soundtrack
The soundtrack features six songs composed by A. R. Rahman. Raja Sen of Rediff called it, "Rahman's finest soundtrack, by far." The soundtrack album sold six million units in India. The song "Chaiyya Chaiyya", based on Sufi music (lyrics based on the Sufi folk song, "Thaiyya Thaiyya" by Bulleh Shah) and Urdu poetry, became especially popular and the song has been featured in the film Inside Man (2006), in the musical Bombay Dreams, and in the television shows Smith and CSI: Miami. The soundtrack was recorded in several other languages.
Malayalam lyrics for the song "Jiya Jale" were written by lyricist Gireesh Puthenchery.
The bass guitarist Guy Pratt, played bass on title song "Dil Se Re".
Original version
Hindi (Dil Se..)
Producer: India Talkies (Bharat Shah)
Director: Mani Ratnam
Lyrics: Gulzar
Bass Guitar on "Dil Se Re": Guy Pratt
Bass Guitar on "Chaiyya Chaiyya": Keith Peters
Flamenco guitar on "Satrangi Re": John Themis
Percussion: Sivamani
Dilruba: Saroja
Santoor: Seenu
Engineer – H. Sridhar, S. Sivakumar
Engineer [Additional Engineer] – Paul Wright
Ganga, Kanchana, Febi, Seji, Anto, Chandran, Shreenivas, Noell James
Background score
Track List :
Track List :
Track List :
Track List :
Release
Dil Se.. released on 21 August 1998. Though the film was shot mainly in Hindi-language, director Mani Ratnam also dubbed and released the film in Tamil and Malayalam in the title Uyire.. (transl. Darling..) which became very popular among Tamil-audience with its songs and in Telugu with the title Prematho (transl. With love). Shah Rukh Khan's Tamil dialogues were dubbed by Arvind Swamy in the film.
Reception
Critical reception and box office
Though Dil Se.. received an average box office response in India, it found success overseas. It was screened at the Era New Horizons Film Festival and the Helsinki International Film Festival. The film went on to win the Netpac Award at the Berlin International Film Festival, two National Film Awards, and six Filmfare Awards. The intense political agenda of the film with the trials of the Assamese on the India-China border, the love story and the fact that it coincided with the 50th Independence Anniversary celebrations became a major factor for its success overseas, particularly amongst the South Asian diaspora in the west.
The film became the first Indian film to enter the top 10 in the United Kingdom box office charts. Even months after its release in September 1998, the film was still screened on five screens, five times per day with an average of 3,000 spectators across all screens in the Cineworld complex in Feltham, West London. Deepa Deosthalee wrote a positive review to the film, calling it "a picture-perfect ode to love" and praising the direction, writing and performances. Khalid Mohamed found the film disappointing, noting its "fine performances, technique and music" but panning its lack "of that crucial element called a story". Anupama Chopra of India Today wrote, "Amid the reels of tripe churned out by Bollywood every week, Dil Se... is a noble attempt. But coming from Mani, that's simply not good enough." The film was included in Time's "Best of Bollywood" list in 2010. Dil Se.. was also a hit in Japan.